The Dating Game Song By Insane Clown Posse Pics: anchorrestaurantsupply.com

The Dating Game Song By Insane Clown Posse Pics

the dating game song by insane clown posse pics

Host Intro He's a schitzophrenic serial killer clown, Who says women love his sexy smile. Let's find out if his charm will work on Sharon. Sharon, what's your question? Contestant 1, I believe first impressions last forever, So let's say you were to come over to my parents' house And have dinner with me and my family. Tell me what you'd do to make that first impression really stay.

Let's see, hmm, well I'd have to think about it. I might show up in a tux, ha! But I doubt it. I'd probably just show up naked like I always do, And look your mama in the eye and tell her fuck you! Hurry up bitch I'm hungry, I smell spaghetti, I'd pinch her loopy ass and tell her get the food ready!

Your dad would probably start trippin', and get me pissed. I'd have to walk up and bust him in his fuckin' lips! It's dinner time, while hearin' grace from your mother. I pull a 40 out and pour some for your little brother. I'm steady, staring at your sister, I'll tell you this, You know for only 13 she got some big tits! After that, your dad would try to jump again, And only this time I'd put the 40 to his chin!

After your mom does the dishes and the silverwear, I'd dry fuck her till I nut in my underwear! Host Now let's meet contestant 2, He's a psychopathic derranged crackhead freak Who works for the Dark Carnival.

He says women call him stretch nuts. Sharon, let's hear your question. Sharon I like a man who's not afraid to show his true emotions. A man who expresses himself in his own special way. First thing, I could never love you. You sound like a richy bitch, yo fuck you! But if I did, I'd probably show you that I care, By takin' all these other mutha fuckers outta here! I'd go through your phonebook and whack 'em all, And find contestant 1 and break his fuckin' jaw!

I'd Grab your titties, and stretch 'em down past your waist, Let 'em go, and watch 'em both spring up in your face. Then we'd go to the beach and walk through the sand. I'd throw a little in your face and say I'm just playin'.

As you spit it all out, I'll rub your back, and Grab your underwear and wedge it up your ass crack! Host Well it sounds like contestant 2 Is just overflowing with sensitivity Sharon, It's a tough choice so far, Sharon, let's have your last question And see which one is gonna win the rights to your neden. Sharon Ok, if we were at a dance club, And you both noticed me at the same time, Tell me, how would you each get my attention, And what would your pick up lines be?

Whoever's the smoothest wins! Ok, first, I'd slide up to the bar, And tell you that I can't believe how fuckin' fat you are! I'd tell ya that I like the way you make your titties shake, And if you lost a little weight you'd look like Ricki Lake. Fuck, that! You'd be jackin' me quick! I'd order you a drink, and stir it with my dick, And then to get your attention in a crowded place, I'd simply walk up and stick my nuts in your face!

Yeah, freak her with your nuts, yo that'll get her! Tell her that she's fat, yeah, that'll work even better! Look, fuck you, I gotta strong rap shit You don't want contestant 2 he's mad whack. I walked into a barn, and there he was, Standing on a bucket eeeuuugghhh tryin' ta fuck it It was a big fucking smelly ass farm llama.

Damn, dogg! How you gonna diss yo mama? External links.

All 13 Insane Clown Posse Albums, Ranked - Willamette Week

Then 18 and 20 years old, and only a few demos and EPs deep into the rap game, Shaggy 2 Dope and Violent J's wear their 90's West Coast influences on their sleeves. It's an extremely sloppy start. Producer Mike E. Clark shows promise with his acid spin on atonal late '80s funk, but the bloated tracklist drags. Carnival of Carnage is more trouble than it is worth. Standout Track: The ultra-primitive late 80s throwback "Guts on the Ceiling.

The Great Milenko Sounds Like: Carnival of Carnage—but with guitar! The "anything goes" whimsy of Ringmaster and Riddle Box disappears into a whirlwind of mid-paced, scratch-and-kick, drum-heavy beats, accented by guitar licks which clash more than complement. Although Clark's production takes a big step up, The Great Milenko offers little ICP hasn't already brought to the table, and does not improve on the formula. The Marvelous Missing Link: Lost Sounds Like: Lost sees Clark relinquish control of production to a team of in-house Psychopathic Records regulars.

Although conceptually and sonically most similar to Hell's Pit, Lost swaps trip-hop atmosphere for dark, aggressive and polished Danny Brown and Waka Flocka-style molly rap that sacrifices silliness for violent morality tales. Although technically proficient, ICP foregoes its strengths—pop and murky horrorcore—for a cold and relentless litany of darkness. Breaking things up with painfully earnest Scott Stapp-style vocals at a few unfortunate moments certainly doesn't help. The punishing atonality of "Shock" does a good job of channeling Godflesh's sparse industrial metal classic "Pulp.

Insane Clown Posse fulfilling their contractual obligations. The final albums that ICP recorded as part of its tempestuous deal with Island Records is heavy on murder and mayhem, but comes off as sterile and forced rather than fun or menacing. Insane Clown Posse are very good at doing moody, ambient rap. The Twiztid-featuring "Crystal Ball" is one of their best songs in this style. Ringmaster Sounds Like: Souls of Mischief as produced by DJ Paul. ICP's second album steers the screeching chaos of Carnival of Carnage toward the funky silliness of mid-'90s backpack rap, with acidic nods toward Memphis' then-burgeoning horrorcore sound.

Although J and Shaggy still sound more like a product of their time rather than an act of their own, Ringmaster is a fusion of disparate influences that works for about half of its 70 minutes.

The Tempest Sounds Like: Where hints of the German groups Wax Trax material used to show up in small flourishes in the '90s, the influence of the band's polished, modern material is explicit on The Tempest.

This album succeeds when it doesn't lean too heavily toward nu-metal, making for a solid bridge between the new and old ICP. Although most of ICP's "dick-joke narrative rap" songs are in the first chunk of their catalog, "Hum Drum Boogie" is one of the best in that particular style. Riddle Box Sounds Like: Clark weaves the psychedelic weirdness of Ringmaster into the funky murkiness of British trip-hop.

The result is a more distinctive voice which pushes Violent J and Shaggy 2 Dope's "Dark Carnival" mythos toward a unified aesthetic. Although many songs are still often longer than necessary, the miasma of atmospheric horrorcore that enshrouds the second half of Riddle Box makes it the high-point of ICP's early career.

Hell's Pit Sounds Like: An alternate-reality version of Massive Attack's Mezzanine. The Wraith's companion album is its conceptual and sonic opposite. The sound of Hell's Pit stands out from the rest of ICP's catalog through Mike Puwal's restrained minimalism, reminiscent of mid-period Massive Attack and J Dilla, which is unusually prescient of the critically acclaimed dark electronics of The Haxan Cloak and Demdike Stare, which it predates by a few years.

I'd probably just show up naked like I always do, And look your mama in the eye and tell her fuck you! Hurry up bitch I'm hungry, I smell spaghetti, I'd pinch her loopy ass and tell her get the food ready! Your dad would probably start trippin', and get me pissed. I'd have to walk up and bust him in his fuckin' lips! It's dinner time, while hearin' grace from your mother. I pull a 40 out and pour some for your little brother.

I'm steady, staring at your sister, I'll tell you this, You know for only 13 she got some big tits! After that, your dad would try to jump again, And only this time I'd put the 40 to his chin! After your mom does the dishes and the silverwear, I'd dry fuck her till I nut in my underwear! Host Now let's meet contestant 2, He's a psychopathic derranged crackhead freak Who works for the Dark Carnival.

He says women call him stretch nuts. Sharon, let's hear your question. Sharon I like a man who's not afraid to show his true emotions. A man who expresses himself in his own special way. First thing, I could never love you. You sound like a richy bitch, yo fuck you! But if I did, I'd probably show you that I care, By takin' all these other mutha fuckers outta here! I'd go through your phonebook and whack 'em all, And find contestant 1 and break his fuckin' jaw!

I'd Grab your titties, and stretch 'em down past your waist, Let 'em go, and watch 'em both spring up in your face. Then we'd go to the beach and walk through the sand. I'd throw a little in your face and say I'm just playin'. As you spit it all out, I'll rub your back, and Grab your underwear and wedge it up your ass crack!

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